My home my work place is the motive of this project.This is a very small project. But we are very astonished to see the rapid and elegent work of the

My home my work place is the motive of this project.This is a very small project. But we are very astonished to see the rapid and elegent work of the women. We spent a very small amount of money but its affect is far reaching. Perhaps the Noble Prize laureate, Rabinranath Tagore was correct (1893):
For some time I have been remarking that man is angular and incoherent, women rounded and complete. Woman's way of speaking, dressing, moving and behaving is an integral harmony with her duties in life. And the main reason is that for ages Nature has defined these duties and modified these duties and moulded her feelings to fit to them. . In all her being and doing she unites grace and skill, her nature and her work, like a flower and its scent. She acts without conflict or hesitation.
In our traditional society the position of women is very high. Mother draws the highest position and respect. Even minimal increases in a woman's ability to generate income has not only been seen to reduce the mental and physical torture of women, in many cases it has stopped altogether."
In Bengal, kanthas were originally used as baby's diapers, or wrappers. At present day, due to the high cost of hand crafted materials, kantha making for the baby's diaper is not cost effective at all. However, in the early seventies, there had been a revival in kantha art in both the Bengals. Sreelata Sirkar derived inspiration from Pratima Devi of Santiniketan and started designing kanthas for team work. Thus, she not only revived a dying art, but also made room for a great economic activity for West Bengal women. In Bangladesh, the search for a national identity led to a great kantha revival, where the Muslim women artists broke the earlier taboo of not representing human and animal figures in kantha. Now the Bangladeshi artists design fantastic tapestries, one like "Naksi kanthar math" after the narration of the poet Jasimuddin. Now both the Bengals have perfected the art of kantha making with infusions of new materials, concept in design, and various stitcheries, and it can be safely said that these days, it is as popular as woven designs in saris, dresses and upholsteries.